This will sync with the Spotify playlist when I update it each week. Something that’s not so easy to do…. But for you dear readers/listeners, anything…. Actually I did this four my mum who can’t get Spotify in Kenya, but that’s another story.
Every week I add a few new songs to my playlist on Spotify (See the link to the playlist here: link).
Choosing the songs is the end of a rather convoluted process:
On Spotify, I ‘Like’ all songs and albums (I’m about half way through) included in the following book: link
I listen to the resulting recommendations from Spotify in my ‘Discover Weekly’ playlist.
I Pick a few standout songs and add them to my chimpwithcans playlist (link here).
The results are broad in their musical genre. It has turned into a pretty chilled playlist and I really enjoy pressing shuffle now. It has so many songs I never would have heard. Importantly I feel like I have had a say in training and filtering the Spotify algorithm to spit out something interesting.
This week, my Discover Weekly gave me the following standout tracks:
Fela Kuti – “Trouble Sleep Yanga Wake Am”. Below is a great review of the song:
Released as part of a quartet of albums from the most productive year of Fela’s career, “Trouble Sleep Yanga Wake Am” has all the hallmarks of a classic Fela single, a languid, self determined instrumental warm up that goes on for several minutes, putting the listener in the right frame of mind, and setting up a tonal theme for the rest of the performance, a choral style, call and response chorus in conjunction with Fela’s omnipresent band, and long winding verse that defy the laws of composition and march at a tempo that only Fela decides. But what really distinguishes this song from the rest of the master’s oeuvre, is the masterful storytelling that Fela employs. Fela had always understood that at the core of his sway over his fans was his ability to empathize with their terribly oppressed lives, and the skill with which he consumed their stories, ruminated on them and regurgitated them back, defiance milled into the broth.
“Trouble Sleep Yanga Wake Am” is brimming with defiance, delivered subtly as an exchange, reflected through a lens of righteous justice. Fela sings of the oppressed, and personifies the oppression of Nigerian people. He asks through a direct chorus and series of vignettes, that the suffering of oppressed be respected and that if it is not, then the oppressed is justified in their decision to revolt, to take arms against the persons who mock their suffering and remain unempathetic to their oppression. He substitutes the government for smaller, more relatable avatars of power, like the landlord who wields the power to deny shelter, or the policeman who can take away a man’s freedom, or even closer. Never to look away from intrigue when the opportunity presents itself, Fela subverts his own theme in the third vignette about a husband, citing that sometimes it is our own avarice and pride, not an external agitator that puts us in trouble.
Sidney Bechet – “Blue Horizon”. Holy moly please listen to this man play a clarinet! I remember when I was about 11years old my Mum tried to get me to play an instrument and I tried clarinet. I had zero idea it could sound like this. My efforts sounded more like a strangled ibis making an escape from the torture chamber…..But this man…..The control, the wary tension of the small group surrounding him. The sharp tone, a vigorous vibrato. This is an absolute master and I had NEVER heard of him until today. More fool me. Have a listen, just beautiful.
I am starting something new. Streaming on Twitch has traditionally been used for video games (as far as I am aware). I have learned today that there are many other users on Twitch – streaming all sorts of different activities.
Musicians, illustrators, artists, sculptors, all showing their practice to the world in real time. It’s a crazy thought. Why not join?
I have security concerns…how much can everyone see REALLY? But I am also interested and curious about the transparency and accountability something like this could bring.
This blog post will be my first stream. You can find me on Twitch with the username chimpwithcans. I hope there will be many more streams to come – to the point that I start a scheduled time slot to follow or write with me if you so wish. There is a lot to work out still! Maybe I will even talk to the camera some time, or play a video game 🙂
I want to get going again on the writing and this might help.
My friend has improved at playing the guitar. Particularly during lockdown this year he has spent time learning, recording and sharing songs online. His repertoire has grown. An investment in his own musical skills which will pay off many times over.
His efforts got me thinking about investment in music. The result is a scattering of options in the form of a blog post. Here are a few random thoughts and discoveries from looking at investment options in music.
There’s a company called Hipgnosis which recently listed on the London Stock Exchange. It buys up music catalogues from artists or other owners with the view that the IP will retain its value and pay back the investment over time as the songs continue to sell. You can buy their shares on the LSE today.
In March 2008, Anchorage Capital Partners announced The Guitar Fund, a $100M fund investing in the rare and vintage guitar market, citing an average annual return of over 31%, according the ’42 Guitars’ tracking index. I would find these sorts of guitars impossible to let go of, and very stressful to keep with toddlers running around my house wielding weapons and generally destroying everything in their wake.
Music Memorabilia can also be a source of alternative investment income or growth if you have the time and the inclination. There is a market for almost anything touched by a rock star. Proof of the rock n roll connection is often the hard part. I have some signed pics of Clapton, Beach Boys, BB King and Aerosmith. Hopefully the signatures are all real. How would I ever find out?
As a teenager I used to think I would listen to my walkman for the rest of my life. It was so essential to me – the cassette tapes I had painstakingly curated, the stock of fresh AA-size batteries, the headphones I found in an airport in England. The ritual of plugging it all in and pushing play. It just didn’t get any better.
One day in my early 20s I found my dad’s LP collection and an old hifi setup. I heard classics like Otis Redding and Springsteen in such clarity and power. Besides the fidelity, there was the long beautiful process of choosing the record, cleaning it, playing one side through and flipping it over, reading the liner notes, poring over the album covers, adjusting the needle and the audio settings. A new ritual was born. My life changed.
Now in my 30s I have my iPhone and an Apple watch. New tech, new ritual. I can call up any song I want no matter where I am. The digital liner notes are getting better every day and the sheer convenience of Bluetooth and music on the go is changing my life again. Don’t even get me started on Spotify’s daily mix and discover weekly playlists. That revolution in curation is a topic for another post.
Older forms of technology can all still be used of course. And often they retain their original power even though the convenience factor is low. Vinyl has made a come back. Audiophiles also tout the benefits of CDs and cassettes. For me this means I now have an arsenal of ways to access the Music drug. The music is the constant, Platonic form while the tech revolves and morphs around it in a clumsy, circular dance.
Perhaps one day the headphones will be nothing more than chips in our brains. A neuralink device Elon Musk sells for a fee. What might a music listening ritual look like for this scenario?
I get comfort from the fact that the music never changes. Taste and quality may vary, but a song is a song no matter what. The catalogue keeps on growing, but the essential form and function of a song is set. It is information in the form of a sound wave being received by the brain. Only the tech for delivery varies.
I just spent an inordinate amount of time trying to figure out who is the number 1 streaming artist on Spotify. (FYI it’s Justin Bieber). Spotify doesn’t make it very easy to find this out – I ended up getting the figure from Wikipedia. This search led me to the below chart showing how the music industry is making money again through streaming. (link)
What these figures point to is a very complex formula for ever declaring an album as “Number 1”. Gone are the straightforward days of measuring LPs sold. It is a weighted calculation, subject to bias and change over time.
Spotify itself is not making much money. For now the Company is beholden to the record companies (link) for their back catalogues (and to a lesser extent, their A&R and recording infrastructure). But one day perhaps it will break free from this like Netflix has from Hollywood.
The pixies as a band passed me by. I was a little too young and a little too stuck in east Africa for their first few albums to make any impact on my life. However, the beauty of music streaming services now is that I can dig into all the rich history.
I sometimes wonder why as a society we make all this new music when there is so much to discover in the back catalogues. Maybe they should put a moratorium on new releases until everyone has caught up with listening to everything ever released to date?
The title of this post says it all. We are now on iTunes and Spotify. This means if you follow the links below, click on subscribe, then you will be able to receive the latest episodes as soon as they come out. Subscribe, listen, enjoy!